Humans are emotional creatures. Individuals feel a diverse range of emotions even during a short time or on a small occasion. Emotions are formed naturally through many experiences of individuals and there are an innumerable number of ways to express emotions. Of these, the artist’s task is to conduct analysis of these experiences from the perspective of emotion and to sensitively materialize them.
My work is based on psychological observations that are representative of voices we all hear inside. I make ceramic figurative sculptures that describe emotions from my life as a diary. By exploring expressive possibilities of my visual language, the figurative form and its multi-colored surfaces reveal the abstracted version of my interiority.
Creation of ceramics requires endurance. Looking at its chemical changes through the process of firing, it is a creature granted with invisible power, which means its outcome belongs to nature. Ceramics are regenerated by fire, the most fundamental aspect of nature. Borrowing human hands, it cannot create emotions unless the will or passion of the artist is naturally melted down upon it.
Through my works, I aim to express the topic of emotions outwardly by attempting to describe a various range of psychological states existing in our environment with visual formation of colors and figurative form.
Danielle C. Wyckoff
Recognizing the minute and infinite connective threads among us, my work addresses our abilities to love and the ways in which that shared capacity both unifies and separates us. We know each other insofar as we know how loving and losing love feels.
Each project I pursue iterates what it is to love. Furthermore, each project suggests an experience of immersion, a sensation evocative of love, often comparing such a sensation to being in water or drawing from certain properties of the element.
To explore, represent, and further entangle us within this conceptual framework, I create installations, prints, drawings, sculptures, and videos as well as collect stories about love from those willing to share. My projects acknowledge and elicit the shifting natures of love and water, their beauty and breathlessness, their terror and transience.
My work relishes in the individual experience, but simultaneously reveals that what we think matters most is truly what matters least: The “I” and “you” of “I love you.”